使用附带的面部身份作为唯一面部参考

Facial Identity:
Use the attached facial identity as the sole facial reference. The four photos must always match the same facial feature proportions, skin tone, age perception, and overall identity.

Body:
A young adult female in her early 20s. Use the attached body reference as the sole body proportion reference, maintaining realistic anatomical structure, natural curves, and skin texture.
Theme:
Four scenes of entertainment from the Tang Dynasty: Qujiang Flower Contest, Chang'an Tavern, Music House Dance, and Polo Match.

Subject:
Generate four independent vertical 2:3 color realistic photos, no collages. All four maintain the same character but change hairstyles, clothing, expressions, and photographic language in accordance with the aesthetics of the Tang Dynasty based on the activity.

First Image "The Outcome Revealed in the Flower Gap":
The results of the Qujiang Flower Contest have just been announced. The shot captures a close-up of the character through peonies and colorful canopies. She has her hair styled in a half-updo typical of the Tang Dynasty, adorned with asymmetrical floral hairpins, wearing a modern aesthetic Tang-style chest-length skirt in light apricot white, stone blue, and peony red. She turns towards her friend at the sound, with her eyebrows slightly raised and a smile just beginning to appear. Shot with a 100–135mm telephoto lens, foreground obstructions, and low-contrast color negative texture.

Second Image "Seventh Round at Chang'an Tavern":
The character sits beside a low table at the Huji Tavern, just putting down a gilded ear cup and being amused by a friend at the same table. Her black hair is styled in a black barbarian bun, wearing a peacock blue brocade inner layer, crimson half-sleeve garment, and deep scarlet skirt. Shot from a 35mm documentary perspective at the table, with the table edge, Hu bottle, and guests' shoulders naturally entering the foreground. Warm lighting fully covers her facial features, with background characters engaged in betting, chatting, and listening to music, not all looking at the camera.

Third Image "Colorful Aftermath After the Dance at the Music House":
After the last dance ends, the character pauses beside the curtain in the side room of the Music House to adjust her breathing. Her hair is styled in a high bun typical of Tang Dynasty dancers, with a few strands slightly loose. The dark red and peacock green dance attire features an opaque inner layer, with the shawl and sleeve edges retaining a light, layered quality. She looks towards the sound outside the curtain, her lips slightly parted, embodying a mix of fatigue, satisfaction, and surprise. Shot with a 50mm close-up backstage, soft fog color negative, with dark red and gray-blue spatial layering.

Fourth Image "Turning Back After Crossing the Polo Line":
A Tang Dynasty female rider dismounts and quickly walks towards the resting area, turning back mid-step upon hearing a companion call. Her hair is styled in a clearly defined double spiral bun, wearing a dark red inner layer, stone blue narrow-sleeved robe, dark tailored skirt pants, and leather riding boots. Only one hand holds the polo stick entering from the bottom edge of the frame, while the other hand is out of the shot. Shot with a 135mm telephoto lens, approximately 1/40 second color slow shutter follow, with the subject's face clear, while horses, flags, and dust create directional color bands.

Lighting:
All four images are continuously illuminated with broad natural light or shaded indoor lamps to light the facial features. Ambient colors and lanterns only serve the spatial layering, without forming circular light spots, fragmented light, floral shadows, or localized bleaching on the face.

Texture:
Realistic color photography, retaining pores, fine fluff, natural complexion, fabric weight, and slight film grain. Drawing on classic color documentary, soft fog fashion, and sports photography composition methods, but not replicating specific works. Reject black and white, near-black and white, and uniform warm gold commercial filters.
A discreet small handwritten signature "Zhong" is added to the lower right corner of the image.

Negative Prompts:
Collages, multiple frames, character identity drift, modern ponytails, overly ancient-style headpieces, cheap studio costumes, uniform posed expressions, repetitive actions of background characters, complex gestures, both hands performing multiple actions, extra arms, extra fingers, incorrect fingers, facial light spots, color projections, plastic skin, black and white photos, modern scenes, garbled text, other signatures.