Isometric figurine generation prompt for Nano Banana Pro

Presented in the style of unprocessed real video footage shot handheld on an iPhone, with all camera settings on automatic, and no post-color grading or special effects. The image features real handheld micro-shaking and the operator's (male) breathing, with the lens naturally dipping or tilting due to subway train movement before quickly correcting. Autofocus occasionally searches, lags, and briefly loses focus, especially during body movement or hand actions. Auto white balance naturally switches between cool and warm tones with changes in cabin fluorescent lights and tunnel lighting. The overall image is flat, preserving real lens flare, slight edge chromatic aberration, motion blur, and other optical imperfections. Simulates CCD sensor capture effects, with slight vertical smear, color bleed, grain noise, and purple/green fringes on high-contrast edges. Uses only in-camera natural ambient sound effects, including the low rumble of the subway, wheel-rail friction, passenger whispers, and clothing rustle; the microphone may slightly distort during train acceleration or larger movements. Adopts a first-person POV from the male in the subway car (starting from a low-angle upward gaze while seated), with camera movement completely following the male's instinctive reactions (head raising, body stiffening, shaking when standing up and moving). The car is extremely crowded, with no empty seats, background filled with passengers, straps, and blurred crowds, reinforcing the realism of a full load. Occasionally, the male's own legs, knees, or hand edges are visible (reinforcing the sense of being seated).  15-second timeline (complete sequence: starts at normal distance → female flirtatiously slowly approaches, chest gets close but never touches → male endures the pull, finally yields and moves away + surprised 'Why are you like this?' expression → female takes the seat and laughs, finally removes mask → male tries to touch shoulder, female takes out cleaning spray to clean his hand):  0 seconds, the camera from a first-person low-angle POV seated on a subway seat slightly shakes upward, aiming at a young Asian woman standing in front of him
wearing
wearing a white mask, her hands holding the overhead strap, looking at the male with her eyes. The car is crowded with no empty seats, background filled with passengers. The two maintain a normal distance. The moment the male looks up, he notices the female's eyes slightly curved in a playful expression, and she begins to slowly approach the camera in a flirtatious rhythm (chest getting closer but always maintaining a safe distance without touching). Autofocus locks on her upper body, the image is slightly overexposed, CCD grain noise and slight color bleed are visible (the male's own surprised gasps are picked up by the microphone), clearly reflecting the upward-looking perspective from a seated position.  1-4 seconds, the female continues to approach with a slow, flirtatious rhythm, the visual distance of her chest getting as close as about 20 cm but never actually touching the camera or the male. The male first forcibly endures (the POV camera slightly shakes, reflecting body stiffness and tense shoulders; the low-angle upward gaze from a seated position causes the camera to briefly dip and then lift back). Autofocus briefly searches and loses focus during the approaching interaction before pulling back; CCD vertical smear is obvious. The microphone captures slight clothing rustle, the male's suppressed panting, and a heartbeat-like low sound, with slight distortion. Background filled with passengers, no empty seats; train swaying makes the frame tilt slightly.  5-7 seconds, the male endures to the limit and finally yields: the POV camera rises upward + shakes backward (reflecting hurriedly standing up from the seat), and he shyly moves to the right trying to distance himself. The female relaxes her body and sits sideways into the seat the male just left (from the male's side-back POV, her sitting action is clearly seen, natural and smooth, with a satisfied sense of having succeeded). The crowded environment of a fully loaded car with no empty seats makes this seat-taking action more impactful as a reversal. Auto white balance drifts slightly due to cabin lighting; the frame briefly underexposes due to train swaying and then automatically compensates back to bright; CCD color bleed is obvious, and the lens tilts slightly.  8-10 seconds, reversal conflict details: after the male stands steady (POV perspective), he awkwardly quickly turns back to glance at the female (the female has a brilliant smile on her face, her eyes curving like crescent moons under the mask), then hesitantly reaches out a hand to gently touch her shoulder while saying: 'Why did you take my seat?'. The female, sitting in the seat, can't help laughing out loud, leans back slightly, showing a smile, her eyes playfully 'mocking' the male, while taking out a white spray cleaner from her bag and spraying the male's outstretched hand twice in a row (spray sound and fine mist clearly visible). Autofocus shows obvious delay when pulling back from the side female to the hand action; during this, the background filled with passengers is clear for half a second; a blurred passenger in front briefly partially blocks the view, and the male adjusts the angle to recapture (handheld shaking intensifies), with CCD smear and grain noise throughout.  11-13 seconds, the female's smile becomes more obvious, with a satisfied playful expression she slightly shakes her head, continues sitting in the seat, her gaze sweeping toward the male (flirtatious reversal: she gently squints and smiles, complex emotions under the mask). Around 12 seconds, she slowly removes the white mask, revealing a delicate face and a full smile (full lips, neat teeth). The male's POV turns back a second time (camera naturally turns), the female still has a playful smile. The camera has real handheld shaking and the male's breathing; autofocus locks on the female's face then drifts slightly; in the upper right corner of the frame, slight lens flare caused by fluorescent lights and CCD purple/green fringes appear. Clear girl's bell-like laughter (voice clearer after removing mask) mixes with subway track rumble; microphone low-frequency distortion (the male's own helpless sigh mixed in).  14-15 seconds, the female's smile gradually fades, returning to a calm expression but with a playful smile still at the corners of her mouth (full face visible after removing mask, eyes still curved), hands naturally resting on her knees. The male looks at his cleaned hand with slight shyness. The camera slowly dips to waist height then rises (male's weight shift), composition slightly imperfect, the female's lower body briefly cropped at the edge, faint fingerprint oil smudges appear at the frame edges. Auto white balance switches between cool and warm again, train rumble continues, overall presenting a real, unprocessed handheld video texture.  The image presents a real, unprocessed handheld video texture, documentary-level natural imperfection, with no post-color grading or special effects. All camera behaviors conform to the physical characteristics of automatic iPhone/phone shooting (first-person body-linked shaking), CCD sensor effects throughout, perfectly recreating the flirtatious teasing interaction and awkward pull from the male's upward-looking POV while seated. 3b:Tdcb,Realistic unprocessed iPhone handheld video footage style, all camera settings automatic, no post-color grading or effects. Features real handheld micro-shaking and the operator's (male) breathing, with natural lens dipping or tilting due to subway train movement before quickly correcting. Autofocus occasionally searches, lags, or briefly loses focus, especially during body or hand movements. Auto white balance shifts naturally between cool and warm tones with cabin fluorescent lights and tunnel lighting. Overall flat image, preserving real lens flare, slight edge chromatic aberration, and motion blur flaws. Simulates CCD sensor effects with slight vertical smear, color bleed, grain noise, and purple/green fringes on high-contrast edges. Only uses in-camera natural ambient sound: low subway rumble, wheel-rail friction, passenger whispers, and clothing rustle; microphone may slightly distort during acceleration or large movements. First-person POV from a seated male's perspective (starting from a low-angle upward gaze), camera movement following the male's instinctive reactions. Extremely crowded cabin with no empty seats, background filled with passengers and blurred crowds for realism. Occasionally visible male leg, knee, or hand edge for position context. 15-second timeline: (Sequence: normal distance → female flirtatiously approaches chest but never touches → male endures then yields + surprised expression → female takes seat and laughs, removes mask → male tries to touch shoulder, female uses sanitizer): 0s: Camera from low seated POV tilts up toward a young Asian female wearing a white mask, holding a strap, looking at the male. No empty seats. Normal distance. Male notices, female's eyes crinkle playfully, she slowly approaches the camera in a flirtatious rhythm (chest gets close but maintains safety distance). Autofocus locks on her upper body; slight overexposure, CCD grain and color bleed visible. 1-4s: Female continues slow approach, chest distance within 20cm but never touches. Male endures (micro-shaking reflects stiffness, low gaze causes brief lens dip). Autofocus searches then pulls back; CCD vertical smear visible. Clothing rustle and male's suppressed breathing/heartbeat audible. Train swaying tilts the frame. 5-7s: Male yields: POV rises and shakes (standing up hurriedly), moves right to pull away. Female smoothly sits in his vacated seat (seen from side-back POV). Overcrowded environment makes the seat-taking impactful. White balance drifts slightly; frame underexposes then compensates. 8-10s: Reversal detail: Male turns back awkwardly (POV); female smiles brilliantly under the mask. Male reaches out to touch her shoulder asking 'Why did you take my seat?'. Female laughs, leans back, eyes playful, takes out a white spray sanitizer and sprays his hand twice (spray sound and mist visible). Autofocus lag during hand movement. 11-13s: Female smiles more clearly, shakes head playfully. Flirtatious reversal. Around 12s, she slowly removes the mask, revealing a delicate face and full smile. Male turns back a second time (natural turn). Lens shaking and breathing continue. Light flare and CCD fringes. Girl's bell-like laughter audible over track rumble. 14-15s: Smile fades slightly to a playful smirk. Male looks at his cleaned hand. Camera dips then rises (weight shift). Slight framing imperfections. Consistent raw handheld video texture. All camera behaviors mimic iPhone physical characteristics, perfectly recreating the low-angle POV interaction.